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Not Obsolete

Things -- and people -- well cared for need not go obsolete. Getting tired of something is a choice. Discarding the old is a choice. While we should continually improve ourselves, our materials, our technology, there is still value in preserving what lives on with quality.

That great guitar. That classic car. That recipe that still tastes good.

There was an episode of "The Twilight Zone" on this week about "Obsolete." Burgess Meredith plays a librarian who in some autocratic society had been judged (under penalty of death) as obsolete. The last forbidden book he pulls from hiding, as he awaits his execution, is a Bible. He was not truly obsolete. His value as a being was unquestionable and though thru cleverness he brings his executioner to fear at being himself on the edge of facing his own imminent death, locked in a room with a bomb, the librarian does allow mercy (in God's name) to prevail, setting free his captor even though he himself will perish.

Like many "Twilight Zone" episodes it is a metaphor, loaded with truth. The librarian is not obsolete.

Books -- in their physical form with pages you can touch and smell -- are not obsolete. E-books are wonderful. It's amazing to be able to carry a library in your pocket and search for any word or passage. We're lucky and blessed to have such great technology. That advanced technology can, and does, co-exist with the world-changing older technology of physical publishing. There's something untouchable about physical touch. Something invincible. Something lasting.

I wrote this (in my journal) by hand even though it would have been far faster to type into my computer, because as Julia Cameron insists regarding Morning Pages we do feel a tighter connection and create flow putting pen to paper. That is true for me. 

My notebooks remain vital, physical reminders of the vitality of life itself. We flow on. We find the connections, We create with love and joy.

And the impact is both instant and deferred. I feel an immediate boost. A smile lights and lightens my old face making me younger. Later, the deferred part fuels a longer day and greater range of creativity. Maybe I'll make a college. Maybe I'll write a song. Maybe I'll write a play.

Possibilities abound. I'm old, but not retired, and hopefully, not obsolete.

Indeed, life is good.

-- doug smith


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87th Place Oak Lawn, Ilinois

 87th Place Oak Lawn, Ilinois -- painting by Douglas Brent Smith, 1977. I lived with my mother for a brief time in 1977. My girlfriend at the time, Annie, wanted to escape herself to Florida (haven't seen her since) and so she plotted with my mom for me to move to Oak Lawn. The first gift my mom gave me there was a blue T-shirt that said "Wellinthehellis Oak Lawn, IL?".  Jack, Mom's husband, was mostly on the road working but when he was home he'd often give mom a hard time so she wanted me there to calm things down. Jack and I got along great but he was an alcoholic and would hit mom -- but not when I was there, which was why I was there.  After I returned to New Jersey Mom would eventually have Jack arrested and Jack straightened up. He stopped drinking. He became safe and loving. They had some happy years together. This painting is a self-portrait. I was blessed with lots of time so I painted. Gosh, how I loved painting. I used acrylics because they dried fast....

thanks, pal

if you want to hear the truth    ask a child    before an institution     pinches their constitution     blurring all intuition     leaving the squared off     from the perfectly rounded whole     if you want to stay honest     raise a child     listen like a student     trust as a friend     follow with enthusiasm     the perfectly rounded sound     of truth     if you want to grow     learn from a child      -- doug smith 4/21/1988.  

Still Going Up?

  Still Going Up? -- mixed media, collage by douglas brent smith, 1998, from Journal #33, Life In Progress. NOTES: Usually, I crop the spiral binding out of the picture. This time I decided to leave it in and show the whole page. It provides some idea of what each of the journals from this period are like. Big pages and many of them. The clip art that makes guest appearances is primitive, sure, but maybe a little charming, too?

Cavalier Club at Large

  Cavalier Club at Large -- collage by douglas brent smith, 1995 From Journal #30, Operation Fresh Start, 1995. NOTES: I've owned (or co-owned) four Chevy Cavaliers and loved every single one. I've loved them so much that I even contemplated forming a Cavalier Club -- or maybe finding one that already existed. Such charming little cars. Basic, the last one I owned had wind-up windows. Fun to drive, a bit sporty without being too fast (can a car be too fast?).  My favorite was a blue 1987 station wagon version of a Cavalier. It had an old, permanent smell that was not at all unpleasant. I loved that car and commuting to work in Trevose in that car and it was named Bluebird. Sometimes I would sit in Bluebird and eat my lunch in the parking lot of UFLIC on Street Road.  I was recently in that parking lot again for a gig with CareerTrack and another for the college but I barely recognized the building or the lot because they had changed so much. Still, the vibes were good. I ...

Creativity is almost ready...

The less creative you feel, the closer you are to feeling creative again. -- douglas brent smith

Horse Named Hannah

  the horse got free in a galloping hurry needed something to read and a tall cup of milk I did post this earlier under the title "Who Let the Horse In." Here it is again.  Horse Named Hannah -- sketch by douglas brent smith, 1998, from Journal #33, Life In Progress

Vans In Space

 Vans In Space - collage by douglas brent smith

Jump Close

  This could be a first draft. It's a doodle becoming something. We might need to stare at it for awhile to determine what it wants to become. It could be done. It could be changing. I scanned this present state since once it is changed (if it is changed) the original will stop existing.  "Do you like it?" "I think so. Enough not to destroy it." "Fair enough." Jump Close - sketch by douglas brent smith, March, 2026

bizarre ensemble duo

 bizarre ensemble duo -- sketch by douglas brent smith,  from "the bizarre chronicles, volume one" 1984

Drive Dougie Drive

  Drive Dougie Drive - mixed media, collage by douglas brent smith, 1998