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Not Obsolete

Things -- and people -- well cared for need not go obsolete. Getting tired of something is a choice. Discarding the old is a choice. While we should continually improve ourselves, our materials, our technology, there is still value in preserving what lives on with quality.

That great guitar. That classic car. That recipe that still tastes good.

There was an episode of "The Twilight Zone" on this week about "Obsolete." Burgess Meredith plays a librarian who in some autocratic society had been judged (under penalty of death) as obsolete. The last forbidden book he pulls from hiding, as he awaits his execution, is a Bible. He was not truly obsolete. His value as a being was unquestionable and though thru cleverness he brings his executioner to fear at being himself on the edge of facing his own imminent death, locked in a room with a bomb, the librarian does allow mercy (in God's name) to prevail, setting free his captor even though he himself will perish.

Like many "Twilight Zone" episodes it is a metaphor, loaded with truth. The librarian is not obsolete.

Books -- in their physical form with pages you can touch and smell -- are not obsolete. E-books are wonderful. It's amazing to be able to carry a library in your pocket and search for any word or passage. We're lucky and blessed to have such great technology. That advanced technology can, and does, co-exist with the world-changing older technology of physical publishing. There's something untouchable about physical touch. Something invincible. Something lasting.

I wrote this (in my journal) by hand even though it would have been far faster to type into my computer, because as Julia Cameron insists regarding Morning Pages we do feel a tighter connection and create flow putting pen to paper. That is true for me. 

My notebooks remain vital, physical reminders of the vitality of life itself. We flow on. We find the connections, We create with love and joy.

And the impact is both instant and deferred. I feel an immediate boost. A smile lights and lightens my old face making me younger. Later, the deferred part fuels a longer day and greater range of creativity. Maybe I'll make a college. Maybe I'll write a song. Maybe I'll write a play.

Possibilities abound. I'm old, but not retired, and hopefully, not obsolete.

Indeed, life is good.

-- doug smith


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Note to Self 20230423

If you keep working your craft you will be amazed at how much you've learned and how much more there is yet to learn. -- doug smith  

Back Inner Cover

  Back Inner Cover of Journal #33, Life In Progress, by Douglas Brent Smith, A collage that's not exactly a typical collage. It's what I often do with the back inner covers of my journals -- simply randomly put stickers, stamps, name tags, and other sticky objects. 

Sketch in June

  Sketch in June, from Journal #61, 14 June 2021

The Country Table Museum

  The Country Table Museum -- collage by douglas brent smith

Cloud Posing as a Pipe

  Sketch: Cloud Posing as a Pipe, from journal #10, cry Wolf (1977) douglas brent smith

Machine Work

  Machine Work - collage by douglas brent smith, 1980-81 Note: As a part-time security guard, I sometimes would read books to pass the time. One night my job required me to guard and observe a location from my car -- a black 1966 Volkswagen beetle. It was night, so I brought a kerosene lantern to read by. It was almost like camping out, as long as I kept watch on the construction site and reported anything out of the unusual. Nothing was out of the unusual. That has nothing to do with this collage, except for the one line on John Updike. Run, Rabbit, Run.

Sketches: Balancing Topper

"Balancing Topper" by Douglas Brent Smith, 1976

Density

  Density by Douglas Brent Smith

Funny Props

  As an occasional actor I've been known to buy my own props. Sometimes it's part of my process (of becoming the role) and sometimes it's because the theatre I'm working with has a small budget.  This picture (above) is no doubt the result of a stalking retail site (you know who) sorting thru my purchases (and views) and deciding that yes, Doug you need this: this marvelous pair of glasses. I don't. Not at the moment. But I'll keep it in mind if a role requiring that lands in my lap. It reminds me of other funny props that I've worked with: mouse ears, beaver ears, a bell, a wine bottle, real food (beef stew from a can, yum), and that's not even mentioning the many props I've used with children's theater when I toured with Child's Play.  What were your most unusual tools of the trade? Did you master them? Did they bring you fully into your role and make you seem more alive? Funny props are more than funny. They facilitate fun. -- doug smith

She Could Juggle Anything

  She Could Juggle Anything, sketch by Douglas Brent Smith, from Journal #34, Mission Control.  Juggling is dancing. Objects join in the dance. Sometimes you control those objects, sometimes those objects appear to control you. The illusion is part of the fun.