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Not Obsolete

Things -- and people -- well cared for need not go obsolete. Getting tired of something is a choice. Discarding the old is a choice. While we should continually improve ourselves, our materials, our technology, there is still value in preserving what lives on with quality.

That great guitar. That classic car. That recipe that still tastes good.

There was an episode of "The Twilight Zone" on this week about "Obsolete." Burgess Meredith plays a librarian who in some autocratic society had been judged (under penalty of death) as obsolete. The last forbidden book he pulls from hiding, as he awaits his execution, is a Bible. He was not truly obsolete. His value as a being was unquestionable and though thru cleverness he brings his executioner to fear at being himself on the edge of facing his own imminent death, locked in a room with a bomb, the librarian does allow mercy (in God's name) to prevail, setting free his captor even though he himself will perish.

Like many "Twilight Zone" episodes it is a metaphor, loaded with truth. The librarian is not obsolete.

Books -- in their physical form with pages you can touch and smell -- are not obsolete. E-books are wonderful. It's amazing to be able to carry a library in your pocket and search for any word or passage. We're lucky and blessed to have such great technology. That advanced technology can, and does, co-exist with the world-changing older technology of physical publishing. There's something untouchable about physical touch. Something invincible. Something lasting.

I wrote this (in my journal) by hand even though it would have been far faster to type into my computer, because as Julia Cameron insists regarding Morning Pages we do feel a tighter connection and create flow putting pen to paper. That is true for me. 

My notebooks remain vital, physical reminders of the vitality of life itself. We flow on. We find the connections, We create with love and joy.

And the impact is both instant and deferred. I feel an immediate boost. A smile lights and lightens my old face making me younger. Later, the deferred part fuels a longer day and greater range of creativity. Maybe I'll make a college. Maybe I'll write a song. Maybe I'll write a play.

Possibilities abound. I'm old, but not retired, and hopefully, not obsolete.

Indeed, life is good.

-- doug smith


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Going Up?

  Going Up? collage, mixed media by douglas brent smith, from Journal #33, Life In Progress, 1998

Still Going Up?

  Still Going Up? -- mixed media, collage by douglas brent smith, 1998, from Journal #33, Life In Progress. NOTES: Usually, I crop the spiral binding out of the picture. This time I decided to leave it in and show the whole page. It provides some idea of what each of the journals from this period are like. Big pages and many of them. The clip art that makes guest appearances is primitive, sure, but maybe a little charming, too?

thanks, pal

if you want to hear the truth    ask a child    before an institution     pinches their constitution     blurring all intuition     leaving the squared off     from the perfectly rounded whole     if you want to stay honest     raise a child     listen like a student     trust as a friend     follow with enthusiasm     the perfectly rounded sound     of truth     if you want to grow     learn from a child      -- doug smith 4/21/1988.  

Drive Dougie Drive

  Drive Dougie Drive - mixed media, collage by douglas brent smith, 1998

Horse Named Hannah

  the horse got free in a galloping hurry needed something to read and a tall cup of milk I did post this earlier under the title "Who Let the Horse In." Here it is again.  Horse Named Hannah -- sketch by douglas brent smith, 1998, from Journal #33, Life In Progress

Platform Flyer

 One of a series of mostly black and white mixed media/collage pieces with a photo-copy base.  Here's the poem that is on the facing page in the journal: we're not perfect but we are trying trying to get along to talk to touch to see each other's                           point of view we're not perfect but we have a history that is wrapped in strands of perfect moments                         perfect steps                                             perfect strings of perfect love. 23 April 1998 Platform Flyer - mixed media sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.

Contrary Facts

  it was a fortune in facts tested against emotions processes swirling we sat by the fire mumbling vague traces of truisms we did not believe there was a time when a fact was a fact where is that now? Contrary Facts - collage, mixed media sketch by Douglas Brent Smith, from Journal #33, Life In Progress, 1998

A Day At The Beach

  A Day At The Beach - Digital collage by douglas brent smith, 22 January 2024

Lift and Separate

  An unusual feature of this collage is that it is assembled in landscape mode instead of portrait. It feels more informal than usual for me, also.  Lift and Separate - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Terra Cotta

  Whatever floats your boat matters. Send yourself on a journey unique to your character, special for your strengths, resilient to your challenges.  My dad once made a canoe. He carved it out of a single piece of wood. He told me that it floated, the way a canoe should, but it leaned to one side. I never got in that canoe but I did see it. It's a gift to be able to make things out of wood, even if the first time you try it comes out a little wabi sabi. Terra Cotta - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress