forgotten melody

mirrors on the fallen snow

reflecting where you'd like to go

and what you'd be if you could know

the narrative that makes it so


windows in the sky with eyes

exposing soporific lies

and passionless dramatic sighs

whispering goodbye


there's no fortune bright enough to make you

and there's no moonbeam light enough to take you

or any hammer strong enough to break you

unless you start it all alone


doors that lead to empty rooms

welcoming as wood tombs

promising the end of gloom

not all what you'd assume




douglas brent smith 1974/2023 

missing some

as most ends will see

all ends will be

as the darkness covers you

the nightfall sets you free


free when you'e glistening

clenched as i'm listening

to your many timbres toning

replies to our inquiries


coherent co-developed

carefully enveloped

touched with out finger prints

missing annotations




douglas brent smith

 

squeeze

i just remembered you

and then us and then then and

then as quick it was gone

what were you saying?




douglas brent smith 29 January 2023



photo: doug smith


dry

the rain doesn't touch me

i'm too intent on dreaming

will you come along?





douglas brent smith 9 December 1973

Two

there is so much breathing

to share

live, create, feel, hold, release . . . 

wanting so much to touch

this small soulful love

who already touched first










1973

 

Miniature

 i became aware of

the poetry of existance

     and of the artistry of

     her voice

     of her thin, gentle fingers and

     the honesty of her eyes





1973

Wordless

 when a friendship

                              grows deeper

and the desire for sharing

each and every moment

lasts

        behind the level of acquaintance

the need to touch    

                            grows stronger

tastefully (if allowed) space

                 to hold (carefully) emotions

silently

             when words are not enough 

. . .                                                       because

   . . .   words are never enough . . . 










12/73