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counting her cards

there's a spot on her cheek

an ash perhaps

a mere smudge she's not aware of

we all see it so

quietly, i tell her


turning suddenly she wipes it clean

erasing any embarrtassment

and returns to the task at hand

counting her cards


circles below our eyes

declare that morning is near

as the factory waits tomorrow

day shift of all days and

we can't call out again or

we'll be let go for good


the lights fade as the sun rises

warning about duties as

it shows the disheveled house


i stretch out on the floor wondering

what it could be like to share her bed

i hear her turn off the water and

close her door


a pronounced decisive click

birds welcome morning

i blow out the last candle as

the house grows quiet with

Bob on the couch and

Dave in the recliner and

me on the floor and

my love in her bed

i second guess her thoughts as

i hear her shuffle

counting her cards.





douglas brent smith


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Density

  Density by Douglas Brent Smith

Lighter Than Air

  Lighter Than Air - acrylic painting by Douglas Brent Smith, November 1976. Notes: I don't have every painting I've ever painted. Some years ago I purged many of them. I like this one, though, and have it hanging in my apartment. It's whimsical. It's a painting in a painting. It has a top hat. It has balance, a candle, even a drop of blood.  What else could you want in a painting?

Creating on Illusion

  Creating on Illusion - collage by Douglas Brent Smith Where's the illusion? What sleight of hand do we focus on? I think that I made this collage in 1989. That was so long ago and yet, in terms of illusions, not long at all. What do you think?

Back Inner Cover

  Back Inner Cover of Journal #33, Life In Progress, by Douglas Brent Smith, A collage that's not exactly a typical collage. It's what I often do with the back inner covers of my journals -- simply randomly put stickers, stamps, name tags, and other sticky objects. 

Deep Thinker Thinking

  Deep Thinker Thinking, drawing by douglas Brent smith, December 2001, from Journal #35, Mission Control, Volume Two, 2001 - 2002. Drawing helps me think. Thinking, sometimes, draws me to draw. It amazes me how few adults draw at all. Somewhere along the line in childhood they just stopped.  We should all draw more and more often. Pencil, pen, crayon, whatever you've got. Instead of scrolling tonight, spend that time drawing a picture. Instead of wasting your time and feeling bad about it you've have a picture you can feel good about. It doesn't have to be great, it just has to be yours.

Note to Self 20230423

If you keep working your craft you will be amazed at how much you've learned and how much more there is yet to learn. -- doug smith  

Gears of Joy

  Gears of Joy, collage by Douglas Brent Smith This is page 305 of Journal #33, Life in Progress. 

Under The Hood

Under the Hood I wanted to be a gear-head. I just never had the tools or the chops for it. But cars have always been fun and I've usually been a Chevy guy. Oh, I've wandered into lots of interesting cars and owned a few. What was your first car? Did you name it? This 1966 Chevy Impala SuperSport was my first car. I'm sure that I paid too much for it because I paid what the guy was asking. I didn't know any better and I really wanted that car. It was fast. It was sporty. And, gasp - it had an 8-track stereo. You have to imagine the joys of listening to "Dark Side of The Moon" on an 8-track that had to fade-out and click-thru to the next track even if the song wasn't finished. Not the medium for Pink Floyd, that's for sure. But Elton John and Rod Stewart and Jeff Beck sounded just great, tooling down the road. I've had other great cars, too: 1966 Volkswagen Beetle (this was my dad's but he was willing to trade cars wh...

Collage: In Whispers and Visions Unending

Collage by douglas brent smith, created 4 November 1979 from the book and performance piece: "the path of destiny takes the scenic route" You may use this image if you provide attribution.

Chaos In The Middle

  Chaos In The Middle - sketch by douglas brent smith (with help from Christopher Morgan Cizewski Smith.