Two

there is so much breathing

to share

live, create, feel, hold, release . . . 

wanting so much to touch

this small soulful love

who already touched first

1973

 

Miniature

 i became aware of

the poetry of existance

     and of the artistry of

     her voice

     of her thin, gentle fingers and

     the honesty of her eyes

1973

Wordless

 when a friendship

                              grows deeper

and the desire for sharing

each and every moment

lasts

        behind the level of acquaintance

the need to touch    

                            grows stronger

tastefully (if allowed) space

                 to hold (carefully) emotions

silently

             when words are not enough 

. . .                                                       because

   . . .   words are never enough . . . 

12/73

       

Give Me Your Brain

Note: I once wrote a play called "The Great Brain Robbery." This poem is from that period of time, in 1973, when I thought some things were much funnier than I do now. And, the basic premise of the play, that we are unconsciously surrendering our brains, still holds up.

Give Me Your Brain

you're certainly a silly one

afraid to give a brain

the whole world's grabbing for it

release it while you're sane

we need a brain like yours to use

in service to our cause

it won't help you once you're crazy

filled with riddles and with flaws

you're no Einstein nor a Curie

just a normal filled with fury

you're no Jesus why not please us

give that brain away

such a silly greedy one

clutching to your head

all your brain cells added up

won't matter when you're dead

give me your brain

it's not so much

a sibling cerebral skunk crutch

let it go now in this exchange

give me oh give me hey give me your brain

sensible

if a circle is

   really a series of

      triangles

         how can we ever

            expect to

               make any sense

                  out of any

                     thing at all?

3 January 2023

 

Bottle Rocket

 "Is that what I think it is?"

(she slams the oven door and grabs the bottle rocket out of the boys hand. She throws it toward the window but it bounces off the screen and lands amid the other fireworks.)

"Is that cherry pie?"

(she opens the oven and grabs the pie. It's hot and she nearly drops it but manages to set it on the floor.)

"Yes. That was a close one."

(a chain reaction of fire work sparklers light up the kitchen. Small popping sounds and Gilles. She grabs the boys hand and leads him in a gallop out of the kitchen. They both narrowly miss stepping in the pie on the way out. As soon as they are gone the whole kitchen explodes.)

"Shhhhh."

(She returns with a fire extinguisher and gets the exploding fireworks out. It's a mess. She picks up the miraculously in tact pie and carries it out. Wisps of smoke float gently around the kitchen. Pause.)

"Delicious."

-- douglas brent smith

- - - - - - - - - - - - - - - - - 

Context: 

Written from a scene prompt, page 337 from "The Playwright's Handbook" by Stuart Spencer.

Dealing with it

 

We just have to deal with it. It's not new. It's not going to change. The people who are younger than you feel the need to rebel against you. The people who are older than you care so much about their own generation that yours seems insignificant. It doesn't make any of it true, just present.

We might as well deal with it by staying calm, mindful, and attentive to our own approach to multiple-generations. Eventually, if you live long enough, you get to be every generation cliche available.

-- doug smith

Raw Emotions

Rough drafts lead to raw emotions.

Raw emotions lead to truth.

Truth leads to change.

-- doug smith

Funny Props

 

As an occasional actor I've been known to buy my own props. Sometimes it's part of my process (of becoming the role) and sometimes it's because the theatre I'm working with has a small budget. 

This picture (above) is no doubt the result of a stalking retail site (you know who) sorting thru my purchases (and views) and deciding that yes, Doug you need this: this marvelous pair of glasses.

I don't. Not at the moment. But I'll keep it in mind if a role requiring that lands in my lap.

It reminds me of other funny props that I've worked with: mouse ears, beaver ears, a bell, a wine bottle, real food (beef stew from a can, yum), and that's not even mentioning the many props I've used with children's theater when I toured with Child's Play. 

What were your most unusual tools of the trade? Did you master them? Did they bring you fully into your role and make you seem more alive?

Funny props are more than funny. They facilitate fun.

-- doug smith

Keep Moving

The whole universe is in motion. Keep moving.

-- doug smith 

User Agreement Rider

Do you like reading and committing to User Agreements?

Of course you don't. They are pure rubbish. .Designed to make you read them, but written so that you can't read them (because they are confusing and massively too long) we mostly end up pretending that we did read them just to get on with whatever we want to do.

Not fair.

Not designed to be fair. Designed to cover the butts of the people who wrote the User Agreement and to restrict the rest of us from being ourselves, from doing what we want and need to do, and from exercising our rights.

In a perfect world, all of those user agreements are unenforceable. Maybe, even in an imperfect world.

Is it really an agreement if we don't agree to it? If we don't have any influence on what goes INTO an agreement, how is THAT an agreement?

Enough!

We need some sanity. 

I hereby propose a universal User Agreement Rider to invoke whenever you've had enough of an evil User Agreement.  No lawyers have been involved in the drafting of this universal escape clause. I offer no legal advice. The fun, the humor, the blatant disregard is completely up to you.

There are no guarantees, but aren't you tired of being TOLD what you agree to? Try this on for size.

User Agreement Rider 1.0

This Rider amends any user agreement the user intends to amend. No signature is necessary, simply refer to User Agreement Rider 1.0 to invoke your rights to amend the agreement.

Regardless of the intentions of the conditions of any user agreement, we reject and refuse any agreement for any condition that:

1. Requires binding arbitration or restricts our right to litigate.
2. Limits our right to quote or make fair use of the content.
3. Claims ownership for any content that we contribute or collaborate on.
4. Requires us to indemnify, legally protect, or compensate the originator of the agreement for anything caused by or contributed to by the originator of the agreement.
5. Any other condition that restricts or violates our rights as described by the laws of the land where we live. 
6. Any provision that appears after the 500th word of the agreement.
7. Any provision presented in less than 12 point font.
8. Any provision that attempts to void this rider.

That's it. That's the whole thing. If you'd like a pdf copy you can find one here.

Thanks for playing. Good luck. 

P.S.

This is not legal advice. If you need legal advice you should consult an attorney. 

Sketch: Cat in the Middle

 

Sketch from Journal #61

douglas brent smiyth

The cat in the middle wonders what Tom was thinking about.