The Eyes Have It

Do you think that artists have their own personal favorites among the works that they create? While they are all our "babies" (not really, but there's the expression...) and we are usually pleased with the finished product, some sit better than others.

I like this collage. I've used it in many contexts as a featured illustration because it makes me smile. Growing up, I remember when TV stations would leave the air at night and the last thing on the screen would be a test pattern. Sometimes it had (for some reason) a picture of a Native American in the pattern, and sometimes it didn't. This was, of course, before color TV.

I call this "The Eyes Have It". There may be other versions of it (maybe with more eyes) and there may not be. Things get lost, things get (gasp!) destroyed.

I hope you like it. I sure do.

The Eyes Have It - collage by douglas brent smith, paper, magazine images, Elmer's Glue, 22 February 1988.

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Do The Math

Do The Math -- pencil sketch by Douglas Brent Smith, 20 October, 1999. Is it odd that I don't usually draw in pencil? There is so much more opportunity to make changes in pencil, both additions and subtractions. Somehow, though, ink has usually been my choice. I think it might have something to do with contrast. For this rendering I increased the contrast in the file and saturation to bring the drawing out more. I also did what I could to minimize the notebook lines, even covering over the holes and cropping beyond the wire binding. I'm not sure what my head was thinking at the time -- we were shopping for a car to replace the Chevy Cavalier that "drowned" in a storm.

87th Place Oak Lawn, Ilinois

87th Place Oak Lawn, Ilinois -- painting by Douglas Brent Smith, 1977. I lived with my mother for a brief time in 1977. My girlfriend at the time, Annie, wanted to escape herself to Florida (haven't seen her since) and so she plotted with my mom for me to move to Oak Lawn. The first gift my mom gave me there was a blue T-shirt that said "Wellinthehellis Oak Lawn, IL?". Jack, Mom's husband, was mostly on the road working but when he was home he'd often give mom a hard time so she wanted me there to calm things down. Jack and I got along great but he was an alcoholic and would hit mom -- but not when I was there, which was why I was there. After I returned to New Jersey Mom would eventually have Jack arrested and Jack straightened up. He stopped drinking. He became safe and loving. They had some happy years together. This painting is a self-portrait. I was blessed with lots of time so I painted. Gosh, how I loved painting. I used acrylics because they dried fast....

The Mysteries of Love

The Mysteries of Love -- painting by Douglas Brent Smith, acrylic, 14 x 18, painted at 2065 Pennington Road, Ewing Township, NJ, not dated.

glutton

precisely because i can not tame you or hold you to promises you'll never keep for the fumbling from friction and tension weeping in the night wondering where you are incredibly over the constant terrors you touch me with a velvet glove over fondness lost losing with the lies from eyes once true now gazing on weakness crushed under your strength i wonder why i want you more than before. douglas brent smith

One More Cosmic Landscape

One More Cosmic Landscape -- painting by Douglas Brent Smith, acrylic, 12 x 16, December 1973. Here are two previous views of the same painting, photos that are at an angle. Discards, sure, but also interesting: One More Cosmic Landscape -- painting by Douglas Brent Smith, acrylic, 12 x 16, December 1973. Here's a cropped photo of the same painting. I couldn't figure out how to rotate it but I like seeing it at this angle.

The Towers of Vettunder

The Towers of Vettunder - painting by Douglas Brent Smith, acrylic. This one feels like another cover to a science fiction novel. In the 70's I might have tried to write that book. Maybe it's not too late.

Machine Work

Machine Work - collage by douglas brent smith, 1980-81 Note: As a part-time security guard, I sometimes would read books to pass the time. One night my job required me to guard and observe a location from my car -- a black 1966 Volkswagen beetle. It was night, so I brought a kerosene lantern to read by. It was almost like camping out, as long as I kept watch on the construction site and reported anything out of the unusual. Nothing was out of the unusual. That has nothing to do with this collage, except for the one line on John Updike. Run, Rabbit, Run.

Dealing with it

We just have to deal with it. It's not new. It's not going to change. The people who are younger than you feel the need to rebel against you. The people who are older than you care so much about their own generation that yours seems insignificant. It doesn't make any of it true, just present. We might as well deal with it by staying calm, mindful, and attentive to our own approach to multiple-generations. Eventually, if you live long enough, you get to be every generation cliche available. -- doug smith

Cold Hard Cash

Cold Hard Cash - collage by douglas brent smith, 1980 from journal #15, eccentric nods, 1980.

With Every Available Device

With Every Available Device -- painting by Douglas Brent Smith, December 1976. This is another of the series of acrylic paintings that I did in Oak Lawn, IL, living with Mom and Jack for a brief few months. My favorite art movement is surrealism, and this one clearly emulates the work of the surrealists, in particular Yves Tanguy . When I moved from Colorado to Newtown in 2016 I threw away a number of my paintings, many from this period of time. I did not like them enough to keep them, I guess although I feel some regret at heaving them, one can't save everything and I live in an apartment that's about 600 square feet. No real storage room. This one survived the cut.

douglas brent smith

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