douglas brent smith

  Back Inner Cover of Journal #33, Life In Progress, by Douglas Brent Smith, A collage that's not exactly a typical collage. It's what I often do with the back inner covers of my journals -- simply randomly put stickers, stamps, name tags, and other sticky objects. 

  Gears of Joy, collage by Douglas Brent Smith This is page 305 of Journal #33, Life in Progress. 

  Density by Douglas Brent Smith

  Bugs In The System, collage, mixed media by Douglas Brent Smith

  All At Once with Trap Doors, mixed media by Douglas Brent Smith

 Charged and Ready -- sketch by Douglas Brent Smith Notes: This sketch was a bit light so I did go over it again with a marker on 23 May, 2026 but it is truly from 1 December 1998. If that seems like a long time ago to you, we agree on that.

Echoes In The Hall - collage by Douglas Brent Smith Was it a drip? or a step it was many steps inching, creeping, closer music bouncing in the background  sad, acoustic strums a tenor voice another, mezzo, soprano, twins unseen gently heard bespoke beyond a wandering bird  

 Page 309 from Journal #33, Douglas Brent Smith

The less we make our world look like a casino the better off we'll be. -- Doug smith Notes: Just for fun, I added this collage. It is not a casino.   

  Do The Math -- pencil sketch by Douglas Brent Smith, 20 October, 1999.  Is it odd that I don't usually draw in pencil? There is so much more opportunity to make changes in pencil, both additions and subtractions. Somehow, though, ink has usually been my choice. I think it might have something to do with contrast. For this rendering I increased the contrast in the file and saturation to bring the drawing out more. I also did what I could to minimize the notebook lines, even covering over the holes and cropping beyond the wire binding.  I'm not sure what my head was thinking at the time -- we were shopping for a car to replace the Chevy Cavalier that "drowned" in a storm. 

  Still Going Up? -- mixed media, collage by douglas brent smith, 1998, from Journal #33, Life In Progress. NOTES: Usually, I crop the spiral binding out of the picture. This time I decided to leave it in and show the whole page. It provides some idea of what each of the journals from this period are like. Big pages and many of them. The clip art that makes guest appearances is primitive, sure, but maybe a little charming, too?

  Going Up? collage, mixed media by douglas brent smith, from Journal #33, Life In Progress, 1998

  Drive Dougie Drive - mixed media, collage by douglas brent smith, 1998

  the horse got free in a galloping hurry needed something to read and a tall cup of milk I did post this earlier under the title "Who Let the Horse In." Here it is again.  Horse Named Hannah -- sketch by douglas brent smith, 1998, from Journal #33, Life In Progress

  What color would you say that rose is? My default is red, but it could be many other colors. Perhaps orange. Even yellow is possible. What color do you see? "But I don't see any color, Doug -- it's in black and white." "Is it? Is it really?" "Why did you keep using that clip art you created of the circle arrow?" "Must have liked it." "I wouldn't call this a collage, would you?" "Nah, just mixed media. Fun, though." "Maybe." Competitive Reflex - mixed media sketch by Douglas Brent Smith, 1998, from Journal #33, Life in Progress

  Can you hear it? Bass, guitar, drums? Or could it be Bass clarinet, flute, and tambourine? Maybe accordion, piano, and trumpet? The band is on the rise, the music is in your head, and the music is exquisite. Band on the Rise - sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

  Man with Three Hands - mixed media collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

  An unusual feature of this collage is that it is assembled in landscape mode instead of portrait. It feels more informal than usual for me, also.  Lift and Separate - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

  It's a wonderful sensation  to ride a horse I was so small the horse so large calm, under control, yet understanding that I was not under control we were equal partners on the horse's terms and when the barn came up it was time to go home so galloping we did Who Let the Horse In? - sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.

  Kiss Me Goodnight -- sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress. This first version is a "cleaned-up" and censored scan. The original (but still censored) scan is below, with the notebook paper lines visible. Which one is better? I don't know.  I think maybe the original (still censored) scan. Let's just get bold enough and not censor it. I'd tabled a matching piece of paper in the upper right hand corner. Now, in the scan below, I have restored the sketch to its original form, including the bit of journal writing in the upper right hand corner.