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Random 1992 Sketches -- douglas brent smith
Showing posts with label art in 1992. Show all posts
Showing posts with label art in 1992. Show all posts
Big Boy With A View
.jpeg "Big Boy With A View -- collage by douglas brent smith and christopher morgan smith, 1992")
Big Boy With A View -- collage by douglas brent smith and christopher morgan smith, 1992
Constructing a Better Setting
Constructing a Better Setting -- collage by douglas brent smith, 30 December 1992
Improving The Quality of Life
Improving The Quality of Life -- collage by douglas brent smith
Can you spot the details added in 2024?
Improving The Quality of Life -- collage by douglas brent smith (original 1992 version).
Contemplating the Case for Control
Contemplating the Case for Control -- collage by douglas brent smith
NOTES:
I made so many of these black & white, copy-machine preserved collages which developed a moment here, a moment there, adding or drawing snatches of things that grabbed my attention while I was doing other things. When Collageman's mind wanders, where else would you expect it to go?
I did turn many of these (and entire three-ring binder full) into color collages using markers. When did I ever find the time for that? The coloring happened at home, listening to music, watching TV...in idle hours in the days before the internet stole our brains.
Different times, indeed.
Challenging Gravity on Four Different Planes
Challenging Gravity on Four Different Planes -- collage by douglas brent smith, 26 December 1992.
It wasn't easy being a scientists and working with bears was no picnic. Well, it could be a picnic for the bears because they insisted on being paid in food. Getting them to defy gravity kept the scientist busy. It got easier when they discovered a secret plane in plain sight. It made hovering a darn site easier.
The Secret Drama Sings to Silent Applause
The Secret Drama Sings to Silent Applause -- collage by douglas brent smith, 30 December 1992.
From Journal #28, An Expandable Family. This journal suffered so much water damage and mildew from the Elm Street fire that it may eventually need to be be thrown away. I've already torn several unreadable pages out, but the whole thing is a mess. I'm doing what I can to save the art work.
Big Fat TV
"Big Fat TV" collage by douglas brent smith.
when you are
in a hurry
and still want to get
there in good spirit
be sure to
dance &
smell the flowers &
pack lightly
because
you've got so much more
to pick up
put away
light up
serenade
grow
and know
you're individual
flow.
NOTES:
This is one of a series of collages I made using a good old fashioned copy machine, combined with some cut-out doodles and random pictures -- these apparently featuring transportation (and dance!) I added the poem after posting the collage. Now they belong together!
~ dbSm ~
A Walk In The Country
A Walk In The Country - a collage by douglas brent smith, 1992.
Walks in the country often produce surprises. You never know what you'll find.
A New Perspective
Notes:
How do you feel about x-ray vision? I remember vividly (in 3D?) seeing for the first time the movie "X - The Man With X-Ray Eyes" starring Ray Milland. I enjoy that movie so much. Poor Ray, suffers so much for his gift, and craves much more than he can ever see. It's a classic story of the perils of experimenting on yourself.
But, isn't that all any of us are doing? Experimenting with ourselves? We don't know how this turns out for certain. I have faith in certain destinies, but seriously who really knows? Improving one's vision along the way seems like a great advantage.
I've been blessed with correctable eyes, and they have needed lots of correcting over the years. I do not take vision for granted and I do thank God for my vision every day. And, while I do need to use three kinds of eye drops every day, none of them give me X-Ray vision, and that's a good thing. Look at poor Ray Milland...
-- doug smith
Lamp, 1992
This is a drawing of an actual lamp. I don't remember where the lamp lived -- maybe in our house on 39th Place -- that seems logical. It appears in journal #27 Repercussions.
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