Thru the Door Math - sketch by douglas brent smith
NOTES:
The math, I think, was already on the page and I just happened to draw around it. Clearly in the days before portable calculators were widely available.
Still Going Up? -- mixed media, collage by douglas brent smith, 1998, from Journal #33, Life In Progress. NOTES: Usually, I crop the spiral binding out of the picture. This time I decided to leave it in and show the whole page. It provides some idea of what each of the journals from this period are like. Big pages and many of them. The clip art that makes guest appearances is primitive, sure, but maybe a little charming, too?
if you want to hear the truth ask a child before an institution pinches their constitution blurring all intuition leaving the squared off from the perfectly rounded whole if you want to stay honest raise a child listen like a student trust as a friend follow with enthusiasm the perfectly rounded sound of truth if you want to grow learn from a child -- doug smith 4/21/1988.
the horse got free in a galloping hurry needed something to read and a tall cup of milk I did post this earlier under the title "Who Let the Horse In." Here it is again. Horse Named Hannah -- sketch by douglas brent smith, 1998, from Journal #33, Life In Progress
One of a series of mostly black and white mixed media/collage pieces with a photo-copy base. Here's the poem that is on the facing page in the journal: we're not perfect but we are trying trying to get along to talk to touch to see each other's point of view we're not perfect but we have a history that is wrapped in strands of perfect moments perfect steps perfect strings of perfect love. 23 April 1998 Platform Flyer - mixed media sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.
it was a fortune in facts tested against emotions processes swirling we sat by the fire mumbling vague traces of truisms we did not believe there was a time when a fact was a fact where is that now? Contrary Facts - collage, mixed media sketch by Douglas Brent Smith, from Journal #33, Life In Progress, 1998
An unusual feature of this collage is that it is assembled in landscape mode instead of portrait. It feels more informal than usual for me, also. Lift and Separate - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress
Whatever floats your boat matters. Send yourself on a journey unique to your character, special for your strengths, resilient to your challenges. My dad once made a canoe. He carved it out of a single piece of wood. He told me that it floated, the way a canoe should, but it leaned to one side. I never got in that canoe but I did see it. It's a gift to be able to make things out of wood, even if the first time you try it comes out a little wabi sabi. Terra Cotta - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress
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