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there are times when our imaginations   

paint pictures better than sunsets   

play chords more stirring   

than violin strings   


times when hearts beat faster   

sounding panic stilled by its

own clock alarming signals

ringing clipped wings

singular embarrassing 


defining a new way of being


one such time

i was prepared for the best of

   advancing, making progress

     to reach you it   

         would go so well   

            you'd be able to tell   

                how i feel and   

                    you would see


the magic in my tricks the

longing in my

voice the

muse for your amusement

in that alter place of hyper-reality: high school

and

none of the rumors had   

helped my cause, noe of

the phone calls brought you near

(no to the prom two years in a row)


(isn't two years in high school an eternity?)


my projects framed, posed, presented to

bring you flattered flustered and favoring

blissfully to a place we would share


there


(touched by inspiration, moved

by spirit, aching longingly)


i stood in the front of the class:

everyone knew. teacher knew. debra knew.

david, carole, glenn knew. leslie, laurie, barb

knew and

                you knew.

as i read the poems to you


e.e.cummings all pointed all obvious all

wishing (no!) kissing toward you


dramatically framed i saw too late

a mistake, in your derision in your

freeze

oh, the face you made.


you hung your head a little as 

i spoke in verse of hearts and

little voices and dreams and rain and

beggars and visions and

intricate ladies of poet's love, my love 

to you (no, gasp, toward you) i hope for

the best and watch it

fall


and when finished, papers put away

you...you...you...looked right at me.

sharp totally focused sweet beautiful

blue eyes looked right into mine.


with...with...with seething hatred

a pressure point anger overflowing


oh!


all this time your stare stays clear

my worst miss a sting for this

it did not go as planned


if i could only say with the power to erase

i am so...i am so... i am so sorry.



NOTES:

Are all poems true stories? This one is. An artist can think that creativity will save them, raise them, influence others and make all things beautiful but...ah, but that is not always the case. This case was perhaps my first crushing disappointment at trying to reach someone (she knows who she is) thru poetry instead of maybe just initiating a conversation, a walk, a few moments to talk. Why was that so hard to do?

But I try to look at it this way now -- how bad could it have been, it gave you this poem?

-- doug smith

photo: doug smith


 

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New Ocean

  New Ocean -- sketch by Douglas Brent Smith, 1999, from Journal #33, Life In Progress. 

The Mysteries of Love

  The Mysteries of Love -- painting by Douglas Brent Smith, acrylic, 14 x 18, painted at 2065 Pennington Road, Ewing Township, NJ, not dated.

Do The Math

  Do The Math -- pencil sketch by Douglas Brent Smith, 20 October, 1999.  Is it odd that I don't usually draw in pencil? There is so much more opportunity to make changes in pencil, both additions and subtractions. Somehow, though, ink has usually been my choice. I think it might have something to do with contrast. For this rendering I increased the contrast in the file and saturation to bring the drawing out more. I also did what I could to minimize the notebook lines, even covering over the holes and cropping beyond the wire binding.  I'm not sure what my head was thinking at the time -- we were shopping for a car to replace the Chevy Cavalier that "drowned" in a storm. 

The Towers of Vettunder

  The Towers of Vettunder - painting by Douglas Brent Smith, acrylic. This one feels like another cover to a science fiction novel. In the 70's I might have tried to write that book. Maybe it's not too late. 

Getting Away From It All

  The picture was easier than the trip. No shoes, no shirt, no service, and no oxygen. But was the trip worth taking? Could they truly get away from it all? Of course. Here they are. Where are you? Getting Away From It All - collage by Douglas Brent Smith, 1997

One More Cosmic Landscape

One More Cosmic Landscape -- painting by Douglas Brent Smith, acrylic, 12 x 16, December 1973. Here are two previous views of the same painting, photos that are at an angle. Discards, sure, but also interesting:   One More Cosmic Landscape -- painting by Douglas Brent Smith, acrylic, 12 x 16, December 1973. Here's a cropped photo of the same painting. I couldn't figure out how to rotate it but I like seeing it at this angle. 

Both Faces

 Both Faces - Sketch by douglas brent smith

Machine Work

  Machine Work - collage by douglas brent smith, 1980-81 Note: As a part-time security guard, I sometimes would read books to pass the time. One night my job required me to guard and observe a location from my car -- a black 1966 Volkswagen beetle. It was night, so I brought a kerosene lantern to read by. It was almost like camping out, as long as I kept watch on the construction site and reported anything out of the unusual. Nothing was out of the unusual. That has nothing to do with this collage, except for the one line on John Updike. Run, Rabbit, Run.

slips, trips, and falls

  Globes, at one time, were everywhere. Then, they kept changing. Especially in Africa but also everywhere. Names, boundaries, the "natural order" of the planet kept changing as we kept spinning. It's easy to believe that things are stable, durable, resilient. Instead, motion is the natural order. But, you knew that, didn't you? When was the last time that you saw a globe? slips, trips, and falls - collage by Douglas Brent Smith, 1996