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there are times when our imaginations   

paint pictures better than sunsets   

play chords more stirring   

than violin strings   


times when hearts beat faster   

sounding panic stilled by its

own clock alarming signals

ringing clipped wings

singular embarrassing 


defining a new way of being


one such time

i was prepared for the best of

   advancing, making progress

     to reach you it   

         would go so well   

            you'd be able to tell   

                how i feel and   

                    you would see


the magic in my tricks the

longing in my

voice the

muse for your amusement

in that alter place of hyper-reality: high school

and

none of the rumors had   

helped my cause, noe of

the phone calls brought you near

(no to the prom two years in a row)


(isn't two years in high school an eternity?)


my projects framed, posed, presented to

bring you flattered flustered and favoring

blissfully to a place we would share


there


(touched by inspiration, moved

by spirit, aching longingly)


i stood in the front of the class:

everyone knew. teacher knew. debra knew.

david, carole, glenn knew. leslie, laurie, barb

knew and

                you knew.

as i read the poems to you


e.e.cummings all pointed all obvious all

wishing (no!) kissing toward you


dramatically framed i saw too late

a mistake, in your derision in your

freeze

oh, the face you made.


you hung your head a little as 

i spoke in verse of hearts and

little voices and dreams and rain and

beggars and visions and

intricate ladies of poet's love, my love 

to you (no, gasp, toward you) i hope for

the best and watch it

fall


and when finished, papers put away

you...you...you...looked right at me.

sharp totally focused sweet beautiful

blue eyes looked right into mine.


with...with...with seething hatred

a pressure point anger overflowing


oh!


all this time your stare stays clear

my worst miss a sting for this

it did not go as planned


if i could only say with the power to erase

i am so...i am so... i am so sorry.



NOTES:

Are all poems true stories? This one is. An artist can think that creativity will save them, raise them, influence others and make all things beautiful but...ah, but that is not always the case. This case was perhaps my first crushing disappointment at trying to reach someone (she knows who she is) thru poetry instead of maybe just initiating a conversation, a walk, a few moments to talk. Why was that so hard to do?

But I try to look at it this way now -- how bad could it have been, it gave you this poem?

-- doug smith

photo: doug smith


 

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Miniature

 i became aware of the poetry of existance      and of the artistry of      her voice      of her thin, gentle fingers and      the honesty of her eyes 1973

Mustard Seed Theatre Company Logos

Notes: Peter, Harry, and I started a little touring theatre company we called the Mustard Seed Theatre Company. We had very limited success for an all too brief amount of time. I later revived the name at churches in Chicago, and I'm sure that any search would uncover other theatre companies bearing that name, but we loved it while we proudly wore it on our t-shirts.  These sketches are modest attempts at logos. circa 1977-1978

Say What You Feel

  Say What You Feel -- mixed media by douglas brent smith

napkins and things

dorinda likes to doodle daringly on napkins unseen unnoticed by the scramblers eating eggs or sipping bitter coffee sometimes she pops out a song or sketches a summer scene from somewhere no one's been now here i am in Chicago frozen to the bone doodling on a napkin and wishing i was home but, lacking that i send a pre-doodled napkin to someone who appreciates napkins and things. douglas brent smith  

Collage: Blue as You Do

Seems like I squared this one off as a possible album cover. It goes way back. The photos are circa 1980...

changing channels

big smile, a collage by douglas brent smith, was created 25 march 2001 (which seems to have been a productive day for collage, meaning that i likely got very little else done!). i've always enjoyed the work of salvadore dali and it's fun to include him in this collage. _/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ you may use this image for non-commercial purposes. please cite it as follows: collage:  (c) 2016 douglas brent smith

ocean walk

the cold wind blew uncut as ocean waves kicked stone gray jetties large gaping cracks between the rocks long suggestive pauses in our dialogue steps away a homasote haunted castle beyond a secret mist two blocks in the distance a single block between what we said and what pooled below the surface moist light beach sand crisp night air a buoy on the horizon this is your turf your haunting ground the smells salt sweet gulls and mussels and popcorn blended inseparable from that late summer visit our individual yet tethered travels returning each of us again to us in our own ocean so deep we may not swim beyond the mystery of the tingling unhinging phrases unstrung broken guitar strings a chipped boardwalk recollection stunning afternoon thru evening tones incidental sublimations consequential quirks of fate probing endless questions colored by scattered sighs barely audible experience unsaid unconsummated ties that clouds cover us and the moon that night one of our full moons stalking us ...

Man with Three Hands

  Man with Three Hands - mixed media collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Secret Powers

 Secret Powers - collage by douglas brent smith, 1979

Who Is That Masked Man?