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there are times when our imaginations   

paint pictures better than sunsets   

play chords more stirring   

than violin strings   


times when hearts beat faster   

sounding panic stilled by its

own clock alarming signals

ringing clipped wings

singular embarrassing 


defining a new way of being


one such time

i was prepared for the best of

   advancing, making progress

     to reach you it   

         would go so well   

            you'd be able to tell   

                how i feel and   

                    you would see


the magic in my tricks the

longing in my

voice the

muse for your amusement

in that alter place of hyper-reality: high school

and

none of the rumors had   

helped my cause, noe of

the phone calls brought you near

(no to the prom two years in a row)


(isn't two years in high school an eternity?)


my projects framed, posed, presented to

bring you flattered flustered and favoring

blissfully to a place we would share


there


(touched by inspiration, moved

by spirit, aching longingly)


i stood in the front of the class:

everyone knew. teacher knew. debra knew.

david, carole, glenn knew. leslie, laurie, barb

knew and

                you knew.

as i read the poems to you


e.e.cummings all pointed all obvious all

wishing (no!) kissing toward you


dramatically framed i saw too late

a mistake, in your derision in your

freeze

oh, the face you made.


you hung your head a little as 

i spoke in verse of hearts and

little voices and dreams and rain and

beggars and visions and

intricate ladies of poet's love, my love 

to you (no, gasp, toward you) i hope for

the best and watch it

fall


and when finished, papers put away

you...you...you...looked right at me.

sharp totally focused sweet beautiful

blue eyes looked right into mine.


with...with...with seething hatred

a pressure point anger overflowing


oh!


all this time your stare stays clear

my worst miss a sting for this

it did not go as planned


if i could only say with the power to erase

i am so...i am so... i am so sorry.



NOTES:

Are all poems true stories? This one is. An artist can think that creativity will save them, raise them, influence others and make all things beautiful but...ah, but that is not always the case. This case was perhaps my first crushing disappointment at trying to reach someone (she knows who she is) thru poetry instead of maybe just initiating a conversation, a walk, a few moments to talk. Why was that so hard to do?

But I try to look at it this way now -- how bad could it have been, it gave you this poem?

-- doug smith

photo: doug smith


 

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Check Your Pockets for the Key

  Check Your Pockets for the Key - collage by douglas brent smith, 21 November 1988, paper, magazine pictures, glue.

Platform Flyer

 One of a series of mostly black and white mixed media/collage pieces with a photo-copy base.  Here's the poem that is on the facing page in the journal: we're not perfect but we are trying trying to get along to talk to touch to see each other's                           point of view we're not perfect but we have a history that is wrapped in strands of perfect moments                         perfect steps                                             perfect strings of perfect love. 23 April 1998 Platform Flyer - mixed media sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.

No Brain No Anxiety

  We didn't have a garage, our neighbors, the Amy's did. Reverend Amy and his family lived next door. That is me sitting on the Chevy, wearing a Davy Crocket hat. I was a big Davy Crocket fan and had the theme song on a yellow 45 rpm record, which of course I sang to vigorously. What's your earliest memory from childhood? No Brain No Anxiety -- collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Bad Presentation Habits

  People are distracted if you assemble an engine while you are making your presentation. Also, if you take photos of light posts and give them fancy names (like Howard Smith), or share tea with the ladies while the rest of the group stares in disbelief, feeling left out, feeling out of place. Is that the presentation that you intended? It wasn't easy to assemble a room filled with geniuses. Now what do you do? Bad Presentation Habits - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Family Time

  "What kind of family is that?" "A family of crows perhaps. Or a family of artists in their own crow colony." "I do not think so." "Perhaps a family platform, off to a rocky start, dancing in the sun." "In the winter?" "And in the snow." "Oh." "How did family time go?" "Not so well." Family Time - sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Terra Cotta

  Whatever floats your boat matters. Send yourself on a journey unique to your character, special for your strengths, resilient to your challenges.  My dad once made a canoe. He carved it out of a single piece of wood. He told me that it floated, the way a canoe should, but it leaned to one side. I never got in that canoe but I did see it. It's a gift to be able to make things out of wood, even if the first time you try it comes out a little wabi sabi. Terra Cotta - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Kiss Me Goodnight

  Kiss Me Goodnight -- sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress. This first version is a "cleaned-up" and censored scan. The original (but still censored) scan is below, with the notebook paper lines visible. Which one is better? I don't know.  I think maybe the original (still censored) scan. Let's just get bold enough and not censor it. I'd tabled a matching piece of paper in the upper right hand corner. Now, in the scan below, I have restored the sketch to its original form, including the bit of journal writing in the upper right hand corner. 

Amazed

  Even when we're lost there is a pattern, discoverable, discernible, mysterious. Are we being led thru that pattern, or are we creating that pattern? How can we know where we're supposed to go if we are supposed to go anywhere. Maybe it's all just happening and we are not responsible for twists, turns, and new lessons to learn. Amazed - mixed media collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.

Truth and Honesty

Wrestle with this if you will. Honesty isn't always truthful, and truth isn't always honest -- combining the two is a delicate art seldom mastered. -- doug smith