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87th Place Oak Lawn, Ilinois

87th Place Oak Lawn, Ilinois

 87th Place Oak Lawn, Ilinois -- painting by Douglas Brent Smith, 1977.


I lived with my mother for a brief time in 1977. My girlfriend at the time, Annie, wanted to escape herself to Florida (haven't seen her since) and so she plotted with my mom for me to move to Oak Lawn. The first gift my mom gave me there was a blue T-shirt that said "Wellinthehellis Oak Lawn, IL?". 

Jack, Mom's husband, was mostly on the road working but when he was home he'd often give mom a hard time so she wanted me there to calm things down. Jack and I got along great but he was an alcoholic and would hit mom -- but not when I was there, which was why I was there. 

After I returned to New Jersey Mom would eventually have Jack arrested and Jack straightened up. He stopped drinking. He became safe and loving. They had some happy years together.

This painting is a self-portrait. I was blessed with lots of time so I painted. Gosh, how I loved painting. I used acrylics because they dried fast. I'd spend all day painting with shows like the Match Game on TV or listening to WXRT stereo. 

Doug in "the recliner" on 87th Place


Jack asked me once "When are you going to get a job?" which was a perfectly fair question. He even arranged an interview with UPS for Johnny (his son) and me. Johnny got the job, I didn't is how I remember it but maybe I didn't even follow the lead to the interview. I don't remember. You could say I was a slacker. I thought of myself as bohemian. Beatnik. Cool. But, I should have gotten a job.

While I lived there I landed the role of The Divine One in the play "When North Is East and South Is West." which is where I Sally Craig Christianson, who both Del and I fell madly in love with, but she was already married so we were simply wonderful friends -- constantly laughing and hanging out backstage. 


Del and Sally having fun

Also during that play I met Nena. She lived not that far from me and not far from Bob Armstrong so we'd sometimes share rides home. Bob drove a beat-up Ford Pinto with a rusted out drivers side floor. Nena sat on my lap. I recommend that as a way to get closer together, but not as a safety practice.

Nena and I had one date before I left Chicago to return to NJ. It was a fun time walking around the Loop. We had lunch at a diner. Neither one of us had much money. I remember her counting coins with her hands hidden under the table. I think (I hope) that I picked up the tab. 


Nena backstage at the Playwright Center in Chicago

It was enough I guess to spark a flame, or at least a correspondence, that lead to so much more.

How's that for context for this self-portrait? I've got to admit, I like it.

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Wild Towers

  Wild Towers -- collage by Douglas Brent Smith Notes: In the lower right corner is one of my favorite photos -- my brother Dave and me at Grandmom and Grandpop Rogers' house. If you look closely you can see Grandpop Rogers sitting in his chair. He was probably reading the newspaper, the Bridgeton Evening News. It was a great newspaper in those days and Grandpop read it front to back every night. There are more clear versions of this picture, probably even in other collages because I love it so much. Those were wonderful days and I miss my little brother so much. 

Note to Self 20230423

If you keep working your craft you will be amazed at how much you've learned and how much more there is yet to learn. -- doug smith  

Gears of Joy

  Gears of Joy, collage by Douglas Brent Smith This is page 305 of Journal #33, Life in Progress. 

Bugs In The System

  Bugs In The System, collage, mixed media by Douglas Brent Smith

The Towers of Vettunder

  The Towers of Vettunder - painting by Douglas Brent Smith, acrylic. This one feels like another cover to a science fiction novel. In the 70's I might have tried to write that book. Maybe it's not too late. 

Why Gamble?

The less we make our world look like a casino the better off we'll be. -- Doug smith Notes: Just for fun, I added this collage. It is not a casino.   

Horse Named Hannah

  the horse got free in a galloping hurry needed something to read and a tall cup of milk I did post this earlier under the title "Who Let the Horse In." Here it is again.  Horse Named Hannah -- sketch by douglas brent smith, 1998, from Journal #33, Life In Progress

Framed By A Notion

 Framed By A Notion, Collage by douglas Brent smith, 1996

This Is Not A Code

This Is Not A Code -- collage by douglas brent smith  

With Every Available Device

  With Every Available Device -- painting by Douglas Brent Smith, December 1976. This is another of the series of acrylic paintings that I did in Oak Lawn, IL, living with Mom and Jack for a brief few months. My favorite art movement is surrealism, and this one clearly emulates the work of the surrealists, in particular Yves Tanguy .  When I moved from Colorado to Newtown in 2016 I threw away a number of my paintings, many from this period of time. I did not like them enough to keep them, I guess although I feel some regret at heaving them, one can't save everything and I live in an apartment that's about 600 square feet. No real storage room. This one survived the cut.