Jump Close

An evolving illustration that started with a doodle and became something else.

This could be a first draft. It's a doodle becoming something. We might need to stare at it for awhile to determine what it wants to become. It could be done. It could be changing. I scanned this present state since once it is changed (if it is changed) the original will stop existing.

"Do you like it?"

"I think so. Enough not to destroy it."

"Fair enough."

Jump Close - sketch by douglas brent smith, March, 2026

Not done yet...

I played with this a bit more. Let's call this one "Jump Closer" (3 April 2026) and watch it change.

When I was a child I remember a feature in the Sunday newspaper funnies -- it was either in the Philadelphia Bulletin or the Philadelphia Inquirer. If it was in the Bulletin, I read the whole paper at home because we subscribed. If it was in the Inquirer, I read it at Grandmom and Grandpop Smith's house. We went there every Sunday, without fail, after church and after our early dinner.

I treasured those Sundays and still do.

Evolving this picture is a throwback to one specific memory from the funny pages -- a cartoon with two panels. The object was to spot all the differences in the two panels, which at first seemed remarkably similar, maybe even identical, but there were subtle differences. It was great fun. Have fun with this series of altered sketches.

Same sketch with some color and additional shapes added. It's growing on me. Dots are a theme that have been popping up for years in my drawings -- and without being the first to do this it's still there. Dot dot dot. Different color dots. What will this drawing do next? Balance or motion, balance or motion? How many dimensions can you see?

Adding detail includes the risk of losing detail. This version (above) was added 27 July 2026. Is it finished? Is anything ever finished? I've saved each version on this page knowing full well that it may get away from me and become forever too cluttered. Has that happened? I still like it. I still like every version of it. Just as, Mr. Rogers might say, "I still like every version of you..."

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Lighter Than Air

Lighter Than Air - acrylic painting by Douglas Brent Smith, November 1976. Notes: I don't have every painting I've ever painted. Some years ago I purged many of them. I like this one, though, and have it hanging in my apartment. It's whimsical. It's a painting in a painting. It has a top hat. It has balance, a candle, even a drop of blood. What else could you want in a painting?

Deep Thinker Thinking

Deep Thinker Thinking, drawing by douglas Brent smith, December 2001, from Journal #35, Mission Control, Volume Two, 2001 - 2002. Drawing helps me think. Thinking, sometimes, draws me to draw. It amazes me how few adults draw at all. Somewhere along the line in childhood they just stopped. We should all draw more and more often. Pencil, pen, crayon, whatever you've got. Instead of scrolling tonight, spend that time drawing a picture. Instead of wasting your time and feeling bad about it you've have a picture you can feel good about. It doesn't have to be great, it just has to be yours.

Note to Self 20230423

If you keep working your craft you will be amazed at how much you've learned and how much more there is yet to learn. -- doug smith

Gears of Joy

Gears of Joy, collage by Douglas Brent Smith This is page 305 of Journal #33, Life in Progress.

Density

Density by Douglas Brent Smith

Creating on Illusion

Creating on Illusion - collage by Douglas Brent Smith Where's the illusion? What sleight of hand do we focus on? I think that I made this collage in 1989. That was so long ago and yet, in terms of illusions, not long at all. What do you think?

Back Inner Cover

Back Inner Cover of Journal #33, Life In Progress, by Douglas Brent Smith, A collage that's not exactly a typical collage. It's what I often do with the back inner covers of my journals -- simply randomly put stickers, stamps, name tags, and other sticky objects.

Funny Props

As an occasional actor I've been known to buy my own props. Sometimes it's part of my process (of becoming the role) and sometimes it's because the theatre I'm working with has a small budget. This picture (above) is no doubt the result of a stalking retail site (you know who) sorting thru my purchases (and views) and deciding that yes, Doug you need this: this marvelous pair of glasses. I don't. Not at the moment. But I'll keep it in mind if a role requiring that lands in my lap. It reminds me of other funny props that I've worked with: mouse ears, beaver ears, a bell, a wine bottle, real food (beef stew from a can, yum), and that's not even mentioning the many props I've used with children's theater when I toured with Child's Play. What were your most unusual tools of the trade? Did you master them? Did they bring you fully into your role and make you seem more alive? Funny props are more than funny. They facilitate fun. -- doug smith

The Towers of Vettunder

The Towers of Vettunder - painting by Douglas Brent Smith, acrylic. This one feels like another cover to a science fiction novel. In the 70's I might have tried to write that book. Maybe it's not too late.

Page 309

Page 309 from Journal #33, Douglas Brent Smith

douglas brent smith

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