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The less creative you feel, the closer you are to feeling creative again.

-- douglas brent smith

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Do The Math

  Do The Math -- pencil sketch by Douglas Brent Smith, 20 October, 1999.  Is it odd that I don't usually draw in pencil? There is so much more opportunity to make changes in pencil, both additions and subtractions. Somehow, though, ink has usually been my choice. I think it might have something to do with contrast. For this rendering I increased the contrast in the file and saturation to bring the drawing out more. I also did what I could to minimize the notebook lines, even covering over the holes and cropping beyond the wire binding.  I'm not sure what my head was thinking at the time -- we were shopping for a car to replace the Chevy Cavalier that "drowned" in a storm. 

The Mysteries of Love

  The Mysteries of Love -- painting by Douglas Brent Smith, acrylic, 14 x 18, painted at 2065 Pennington Road, Ewing Township, NJ, not dated.

One More Cosmic Landscape

One More Cosmic Landscape -- painting by Douglas Brent Smith, acrylic, 12 x 16, December 1973. Here are two previous views of the same painting, photos that are at an angle. Discards, sure, but also interesting:   One More Cosmic Landscape -- painting by Douglas Brent Smith, acrylic, 12 x 16, December 1973. Here's a cropped photo of the same painting. I couldn't figure out how to rotate it but I like seeing it at this angle. 

Machine Work

  Machine Work - collage by douglas brent smith, 1980-81 Note: As a part-time security guard, I sometimes would read books to pass the time. One night my job required me to guard and observe a location from my car -- a black 1966 Volkswagen beetle. It was night, so I brought a kerosene lantern to read by. It was almost like camping out, as long as I kept watch on the construction site and reported anything out of the unusual. Nothing was out of the unusual. That has nothing to do with this collage, except for the one line on John Updike. Run, Rabbit, Run.

Dealing with it

  We just have to deal with it. It's not new. It's not going to change. The people who are younger than you feel the need to rebel against you. The people who are older than you care so much about their own generation that yours seems insignificant. It doesn't make any of it true, just present. We might as well deal with it by staying calm, mindful, and attentive to our own approach to multiple-generations. Eventually, if you live long enough, you get to be every generation cliche available. -- doug smith

Cold Hard Cash

  Cold Hard Cash - collage by douglas brent smith, 1980 from journal #15, eccentric nods, 1980.

87th Place Oak Lawn, Ilinois

 87th Place Oak Lawn, Ilinois -- painting by Douglas Brent Smith, 1977. I lived with my mother for a brief time in 1977. My girlfriend at the time, Annie, wanted to escape herself to Florida (haven't seen her since) and so she plotted with my mom for me to move to Oak Lawn. The first gift my mom gave me there was a blue T-shirt that said "Wellinthehellis Oak Lawn, IL?".  Jack, Mom's husband, was mostly on the road working but when he was home he'd often give mom a hard time so she wanted me there to calm things down. Jack and I got along great but he was an alcoholic and would hit mom -- but not when I was there, which was why I was there.  After I returned to New Jersey Mom would eventually have Jack arrested and Jack straightened up. He stopped drinking. He became safe and loving. They had some happy years together. This painting is a self-portrait. I was blessed with lots of time so I painted. Gosh, how I loved painting. I used acrylics because they dried fast....

The Insecure Plumber

  The Insecure Plumber -- painting by Douglas Brent Smith, acrylic, 16 x 20, December 1976. As I photo these paintings the change in the light delights me. So much depends on how you look at things, how long you look at things, in what light, in what mood...it brings art even more alive. I didn't say it was good art, just delightful art. Only you can decide if it's good (to you). I have not painted like this in years. Perhaps someday I will again.

With Every Available Device

  With Every Available Device -- painting by Douglas Brent Smith, December 1976. This is another of the series of acrylic paintings that I did in Oak Lawn, IL, living with Mom and Jack for a brief few months. My favorite art movement is surrealism, and this one clearly emulates the work of the surrealists, in particular Yves Tanguy .  When I moved from Colorado to Newtown in 2016 I threw away a number of my paintings, many from this period of time. I did not like them enough to keep them, I guess although I feel some regret at heaving them, one can't save everything and I live in an apartment that's about 600 square feet. No real storage room. This one survived the cut.  

poem: that dream

it's a foolish wish to say may all your dreams come true                 what about the bridges disappearing in                  perspective?      what about the endless chases? the public nakedness? the lack of words? the demons hiding insecurities in playful sacks of sorrow? let me pick my dream to live that sweet happy ending dream of us together hand in hand and always smiling let me pick that time you looked at me from across the room with a knowing smile that spoke more love than you could say, or contain (or, sadly, sustain) but leave that part out (the sadness in your smile of unbeatable fate) and let me live that dream of                               you smiling                               at me and  ...