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Deep Thinker Thinking

  Deep Thinker Thinking, drawing by douglas Brent smith, December 2001, from Journal #35, Mission Control, Volume Two, 2001 - 2002. Drawing helps me think. Thinking, sometimes, draws me to draw. It amazes me how few adults draw at all. Somewhere along the line in childhood they just stopped.  We should all draw more and more often. Pencil, pen, crayon, whatever you've got. Instead of scrolling tonight, spend that time drawing a picture. Instead of wasting your time and feeling bad about it you've have a picture you can feel good about. It doesn't have to be great, it just has to be yours.
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Lighter Than Air

  Lighter Than Air - acrylic painting by Douglas Brent Smith, November 1976. Notes: I don't have every painting I've ever painted. Some years ago I purged many of them. I like this one, though, and have it hanging in my apartment. It's whimsical. It's a painting in a painting. It has a top hat. It has balance, a candle, even a drop of blood.  What else could you want in a painting?
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Back Inner Cover

  Back Inner Cover of Journal #33, Life In Progress, by Douglas Brent Smith, A collage that's not exactly a typical collage. It's what I often do with the back inner covers of my journals -- simply randomly put stickers, stamps, name tags, and other sticky objects. 
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Gears of Joy

  Gears of Joy, collage by Douglas Brent Smith This is page 305 of Journal #33, Life in Progress. 
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Creating on Illusion

  Creating on Illusion - collage by Douglas Brent Smith Where's the illusion? What sleight of hand do we focus on? I think that I made this collage in 1989. That was so long ago and yet, in terms of illusions, not long at all. What do you think?
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Density

  Density by Douglas Brent Smith
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Note to Self 20230423

If you keep working your craft you will be amazed at how much you've learned and how much more there is yet to learn. -- doug smith  
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Sketch: Early Mustard Seed Theatre Company

 sketch from journal #12, never doubt, 1978. This is a drawing of Peter Hoff (now known as Zeke Peterhoff, and me, wearing our Mustard Seed Theatre Company T-shirts and apparently juggling with our minds. Good times.
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Deconstructing The Early Projections

  Deconstructing The Early Projections -- collage by douglas brent smith, 1994
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not inconsequential

of course there were thousands of rational even dramatic reasons why we would never work out or remain together like gravity i keep falling for you like fate untested and irresistible because that voice those eyes that nonstop dancing and because you could tie a cherry stem with your tongue. douglas brent smith  
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