Contrary Facts

it was a fortune

in facts

tested against

emotions

processes swirling

we sat by the fire

mumbling vague traces

of truisms we did

not believe

there was a time

when a fact

was a fact

where is that now?

Contrary Facts - collage, mixed media sketch by Douglas Brent Smith, from Journal #33, Life In Progress, 1998

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Check Your Pockets for the Key

Check Your Pockets for the Key - collage by douglas brent smith, 21 November 1988, paper, magazine pictures, glue.

Kiss Me Goodnight

Kiss Me Goodnight -- sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress. This first version is a "cleaned-up" and censored scan. The original (but still censored) scan is below, with the notebook paper lines visible. Which one is better? I don't know. I think maybe the original (still censored) scan. Let's just get bold enough and not censor it. I'd tabled a matching piece of paper in the upper right hand corner. Now, in the scan below, I have restored the sketch to its original form, including the bit of journal writing in the upper right hand corner.

Lift and Separate

An unusual feature of this collage is that it is assembled in landscape mode instead of portrait. It feels more informal than usual for me, also. Lift and Separate - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Terra Cotta

Whatever floats your boat matters. Send yourself on a journey unique to your character, special for your strengths, resilient to your challenges. My dad once made a canoe. He carved it out of a single piece of wood. He told me that it floated, the way a canoe should, but it leaned to one side. I never got in that canoe but I did see it. It's a gift to be able to make things out of wood, even if the first time you try it comes out a little wabi sabi. Terra Cotta - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Man with Three Hands

Man with Three Hands - mixed media collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Who Let the Horse In?

It's a wonderful sensation to ride a horse I was so small the horse so large calm, under control, yet understanding that I was not under control we were equal partners on the horse's terms and when the barn came up it was time to go home so galloping we did Who Let the Horse In? - sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.

Bad Presentation Habits

People are distracted if you assemble an engine while you are making your presentation. Also, if you take photos of light posts and give them fancy names (like Howard Smith), or share tea with the ladies while the rest of the group stares in disbelief, feeling left out, feeling out of place. Is that the presentation that you intended? It wasn't easy to assemble a room filled with geniuses. Now what do you do? Bad Presentation Habits - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

No Brain No Anxiety

We didn't have a garage, our neighbors, the Amy's did. Reverend Amy and his family lived next door. That is me sitting on the Chevy, wearing a Davy Crocket hat. I was a big Davy Crocket fan and had the theme song on a yellow 45 rpm record, which of course I sang to vigorously. What's your earliest memory from childhood? No Brain No Anxiety -- collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Family Time

"What kind of family is that?" "A family of crows perhaps. Or a family of artists in their own crow colony." "I do not think so." "Perhaps a family platform, off to a rocky start, dancing in the sun." "In the winter?" "And in the snow." "Oh." "How did family time go?" "Not so well." Family Time - sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

More Than One Set Of Books

More Than One Set Of Books -- collage by douglas brent smith

douglas brent smith

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