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Amazed

 

Amazed

Even when we're lost there is a pattern, discoverable, discernible, mysterious.

Are we being led thru that pattern, or are we creating that pattern?

How can we know where we're supposed to go if we are supposed to go anywhere.

Maybe it's all just happening and we are not responsible for twists, turns, and new lessons to learn.



Amazed - mixed media collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.

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How Fast Are You Going?

  i follow the speed limit in my car but emotionally it's usually all going too fast getting where I'm heading just on time. How Fast Are You Going? collage by Douglas Brent Smith, 1997, from Journal #32, Secret Change Agent.
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Just Another Squeeze

  find the light interview its meaning squeeze out your reaction one tear at a time touch the light the heat of the morning wondering why we were ever so young Just Another Squeeze Until The Light Is Interviewed - collage by Douglas Brent Smith, 1997, from Journal #32, p. 283, Secret Change Agent.
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Platform Flyer

 One of a series of mostly black and white mixed media/collage pieces with a photo-copy base.  Here's the poem that is on the facing page in the journal: we're not perfect but we are trying trying to get along to talk to touch to see each other's                           point of view we're not perfect but we have a history that is wrapped in strands of perfect moments                         perfect steps                                             perfect strings of perfect love. 23 April 1998 Platform Flyer - mixed media sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.
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Family Time

  "What kind of family is that?" "A family of crows perhaps. Or a family of artists in their own crow colony." "I do not think so." "Perhaps a family platform, off to a rocky start, dancing in the sun." "In the winter?" "And in the snow." "Oh." "How did family time go?" "Not so well." Family Time - sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress
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Check Your Pockets for the Key

  Check Your Pockets for the Key - collage by douglas brent smith, 21 November 1988, paper, magazine pictures, glue.
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Forest Discovery

  The actual collage is much sharper than this. The distortion comes from scanning a water-warped journal on the glass plate. Several of my journals sustained water damage during the Louisville, CO fire on Elm street in 2008. I did try to dry them out, with some mixed success, by spreading them out in the stead Colorado sunshine, on a trampoline that survived the fire. Forest Discovery - collage by Douglas Brent Smith, 1997, from Journal #32, Secret Change Agent.
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Detail: Inner Sanctum

What is your closest thing to an inner sanctum, a place where you can hide away and be completely yourself? Imagine a text book in living creatively. Here's a page from that book, and like any great textbook, has a little insert for detail. Where is that detail? Somewhere in the rest of the picture. Detail: Inner Sanctum - mixed media sketch by Douglas Brent Smith, 1997, from Journal #32, Secret Change Agent.
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Constructing Contemplation

  When my brother Dave and I were quite young we both wanted to be spies. "The Man From Uncle" was a popular TV show and we never missed it. James Bond was also all the rage. We liked the gadgets, the exotic travels, the fast cars, all of the action. We didn't turn out to be spies of course (or did we?). Dave does his spying from heaven, and I decided long ago that spying was out of the question because torture could be involved. Also, art and education are more fun. Constructing Contemplation - collage by douglas brent smith, 19 October 1997, from Journal #32, Secret Change Agent
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poem: patiently

i want to read every book touch every flower, breathe in every mint aired aroma, laugh at all of your jokes      over again see all of your faces trace the years between us and smoothe the bumpy gaps i want to bake a cake so big it takes a lifetime to eat and create a life so long that all the cake is gone i will have it, i will eat it.      i will treat it as your appetizer for better (much better) days to come and what you can't see now in you in me in us in eternity eternally waits,      patiently for your discovery. (c) 2017 douglas brent smith
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