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Bottle Rocket

 "Is that what I think it is?"

(she slams the oven door and grabs the bottle rocket out of the boys hand. She throws it toward the window but it bounces off the screen and lands amid the other fireworks.)

"Is that cherry pie?"

(she opens the oven and grabs the pie. It's hot and she nearly drops it but manages to set it on the floor.)

"Yes. That was a close one."

(a chain reaction of fire work sparklers light up the kitchen. Small popping sounds and Gilles. She grabs the boys hand and leads him in a gallop out of the kitchen. They both narrowly miss stepping in the pie on the way out. As soon as they are gone the whole kitchen explodes.)

"Shhhhh."

(She returns with a fire extinguisher and gets the exploding fireworks out. It's a mess. She picks up the miraculously in tact pie and carries it out. Wisps of smoke float gently around the kitchen. Pause.)

"Delicious."


-- douglas brent smith


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Context: 

Written from a scene prompt, page 337 from "The Playwright's Handbook" by Stuart Spencer.

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Going Up?

  Going Up? collage, mixed media by douglas brent smith, from Journal #33, Life In Progress, 1998

Still Going Up?

  Still Going Up? -- mixed media, collage by douglas brent smith, 1998, from Journal #33, Life In Progress. NOTES: Usually, I crop the spiral binding out of the picture. This time I decided to leave it in and show the whole page. It provides some idea of what each of the journals from this period are like. Big pages and many of them. The clip art that makes guest appearances is primitive, sure, but maybe a little charming, too?

thanks, pal

if you want to hear the truth    ask a child    before an institution     pinches their constitution     blurring all intuition     leaving the squared off     from the perfectly rounded whole     if you want to stay honest     raise a child     listen like a student     trust as a friend     follow with enthusiasm     the perfectly rounded sound     of truth     if you want to grow     learn from a child      -- doug smith 4/21/1988.  

Drive Dougie Drive

  Drive Dougie Drive - mixed media, collage by douglas brent smith, 1998

Platform Flyer

 One of a series of mostly black and white mixed media/collage pieces with a photo-copy base.  Here's the poem that is on the facing page in the journal: we're not perfect but we are trying trying to get along to talk to touch to see each other's                           point of view we're not perfect but we have a history that is wrapped in strands of perfect moments                         perfect steps                                             perfect strings of perfect love. 23 April 1998 Platform Flyer - mixed media sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.

Contrary Facts

  it was a fortune in facts tested against emotions processes swirling we sat by the fire mumbling vague traces of truisms we did not believe there was a time when a fact was a fact where is that now? Contrary Facts - collage, mixed media sketch by Douglas Brent Smith, from Journal #33, Life In Progress, 1998

A Day At The Beach

  A Day At The Beach - Digital collage by douglas brent smith, 22 January 2024

Lift and Separate

  An unusual feature of this collage is that it is assembled in landscape mode instead of portrait. It feels more informal than usual for me, also.  Lift and Separate - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Terra Cotta

  Whatever floats your boat matters. Send yourself on a journey unique to your character, special for your strengths, resilient to your challenges.  My dad once made a canoe. He carved it out of a single piece of wood. He told me that it floated, the way a canoe should, but it leaned to one side. I never got in that canoe but I did see it. It's a gift to be able to make things out of wood, even if the first time you try it comes out a little wabi sabi. Terra Cotta - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Mineral Wealth 2

  Mineral Wealth 2 - pen and marker sketch boy douglas brent smith, 1989. An album cover for an unrecorded, unreleased album.  Here is the full page in Journal #26, "Communication" where the concept of the album, song titles, and evidence of water damage all appear. Clearly, I was having both a) fun with markers, and b) delusions of grandeur.  Mineral Wealth 2 with song titles