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typewriter

i left my typewriter in new jersey

as if some  bloodied murder weapon

trying to hide the crimes

or forget the posturing

of the scene of all my passion

and pathos

for these seven quite odd years


where manhood came

and with it the twisting

torture of passion's pain

distressed and then daring

darling and then distressing


messing with alternatives


though the people traded places

sliding parade-like suddenly

my massive wooden desk i

called the aircraft carrier (covered

with unfinished scripts, snatches of poems,

and doctors' bills)


half my soul (it seems) was

spilled poured and splattered

into these gold, black, red walls

onto the dusty floor filled with

cat hair, beard hair, auburn hair

too precious to sweep away


no, it was not a castle

or a page from Architecture Digest

but it gave me all I ever needed

to become an artist


they say we become completely new

every seven years

we'll see i suppose we will see


i left my typewriter in new jersey

i guess i'll need to return for it.





douglas brent smith

 

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Going Up?

  Going Up? collage, mixed media by douglas brent smith, from Journal #33, Life In Progress, 1998

Still Going Up?

  Still Going Up? -- mixed media, collage by douglas brent smith, 1998, from Journal #33, Life In Progress. NOTES: Usually, I crop the spiral binding out of the picture. This time I decided to leave it in and show the whole page. It provides some idea of what each of the journals from this period are like. Big pages and many of them. The clip art that makes guest appearances is primitive, sure, but maybe a little charming, too?

thanks, pal

if you want to hear the truth    ask a child    before an institution     pinches their constitution     blurring all intuition     leaving the squared off     from the perfectly rounded whole     if you want to stay honest     raise a child     listen like a student     trust as a friend     follow with enthusiasm     the perfectly rounded sound     of truth     if you want to grow     learn from a child      -- doug smith 4/21/1988.  

Drive Dougie Drive

  Drive Dougie Drive - mixed media, collage by douglas brent smith, 1998

Platform Flyer

 One of a series of mostly black and white mixed media/collage pieces with a photo-copy base.  Here's the poem that is on the facing page in the journal: we're not perfect but we are trying trying to get along to talk to touch to see each other's                           point of view we're not perfect but we have a history that is wrapped in strands of perfect moments                         perfect steps                                             perfect strings of perfect love. 23 April 1998 Platform Flyer - mixed media sketch by Douglas Brent Smith, 1998, from Journal #33, Life In Progress.

Contrary Facts

  it was a fortune in facts tested against emotions processes swirling we sat by the fire mumbling vague traces of truisms we did not believe there was a time when a fact was a fact where is that now? Contrary Facts - collage, mixed media sketch by Douglas Brent Smith, from Journal #33, Life In Progress, 1998

A Day At The Beach

  A Day At The Beach - Digital collage by douglas brent smith, 22 January 2024

Lift and Separate

  An unusual feature of this collage is that it is assembled in landscape mode instead of portrait. It feels more informal than usual for me, also.  Lift and Separate - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Terra Cotta

  Whatever floats your boat matters. Send yourself on a journey unique to your character, special for your strengths, resilient to your challenges.  My dad once made a canoe. He carved it out of a single piece of wood. He told me that it floated, the way a canoe should, but it leaned to one side. I never got in that canoe but I did see it. It's a gift to be able to make things out of wood, even if the first time you try it comes out a little wabi sabi. Terra Cotta - collage by Douglas Brent Smith, 1998, from Journal #33, Life In Progress

Mineral Wealth 2

  Mineral Wealth 2 - pen and marker sketch boy douglas brent smith, 1989. An album cover for an unrecorded, unreleased album.  Here is the full page in Journal #26, "Communication" where the concept of the album, song titles, and evidence of water damage all appear. Clearly, I was having both a) fun with markers, and b) delusions of grandeur.  Mineral Wealth 2 with song titles