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instant breakfast dreams

scrambled dreams   

scattered schemes   

ideas flashed on the mezzanine   

the balcony's crowded with narrow scenes   

colorful dreaming liquid sleep   

   

poached eggs dreams   

wet and fried   

homage to the dreams that died   

rules that flutter   

into melted butter   

dreams design   

their own red line   


fried dreams my dreams   

your dreams ours   

evening slips and then devours   

sheets around us   

lights dimmed black   

shadowed visions   

on our backs   


your dream is my dream is our dream complete.    

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Deep Thinker Thinking

  Deep Thinker Thinking, drawing by douglas Brent smith, December 2001, from Journal #35, Mission Control, Volume Two, 2001 - 2002. Drawing helps me think. Thinking, sometimes, draws me to draw. It amazes me how few adults draw at all. Somewhere along the line in childhood they just stopped.  We should all draw more and more often. Pencil, pen, crayon, whatever you've got. Instead of scrolling tonight, spend that time drawing a picture. Instead of wasting your time and feeling bad about it you've have a picture you can feel good about. It doesn't have to be great, it just has to be yours.

Density

  Density by Douglas Brent Smith

Lighter Than Air

  Lighter Than Air - acrylic painting by Douglas Brent Smith, November 1976. Notes: I don't have every painting I've ever painted. Some years ago I purged many of them. I like this one, though, and have it hanging in my apartment. It's whimsical. It's a painting in a painting. It has a top hat. It has balance, a candle, even a drop of blood.  What else could you want in a painting?

Creating on Illusion

  Creating on Illusion - collage by Douglas Brent Smith Where's the illusion? What sleight of hand do we focus on? I think that I made this collage in 1989. That was so long ago and yet, in terms of illusions, not long at all. What do you think?

Back Inner Cover

  Back Inner Cover of Journal #33, Life In Progress, by Douglas Brent Smith, A collage that's not exactly a typical collage. It's what I often do with the back inner covers of my journals -- simply randomly put stickers, stamps, name tags, and other sticky objects. 

Gears of Joy

  Gears of Joy, collage by Douglas Brent Smith This is page 305 of Journal #33, Life in Progress. 

Note to Self 20230423

If you keep working your craft you will be amazed at how much you've learned and how much more there is yet to learn. -- doug smith  

Better Platforms Coming

  When was the last time that you drew anything? Do you remember how joyful it can be? Let go of any goal in drawing and the drawing will claim you, name you, frame you. I had no idea where this drawing was going. Does that make it a doodle? Does it matter. Draw something. Show someone. Save it. Smile. You do not have to, of course. No one can compel you. But, what if it's fun?  Better Platforms Coming - sketch by douglas brent smith, 1996

Bottle Rocket

 "Is that what I think it is?" (she slams the oven door and grabs the bottle rocket out of the boys hand. She throws it toward the window but it bounces off the screen and lands amid the other fireworks.) "Is that cherry pie?" (she opens the oven and grabs the pie. It's hot and she nearly drops it but manages to set it on the floor.) "Yes. That was a close one." (a chain reaction of fire work sparklers light up the kitchen. Small popping sounds and Gilles. She grabs the boys hand and leads him in a gallop out of the kitchen. They both narrowly miss stepping in the pie on the way out. As soon as they are gone the whole kitchen explodes.) "Shhhhh." (She returns with a fire extinguisher and gets the exploding fireworks out. It's a mess. She picks up the miraculously in tact pie and carries it out. Wisps of smoke float gently around the kitchen. Pause.) "Delicious." -- douglas brent smith - - - - - - - - - - - - - - - - -  Context: ...

How Fast Are You Going?

  i follow the speed limit in my car but emotionally it's usually all going too fast getting where I'm heading just on time. How Fast Are You Going? collage by Douglas Brent Smith, 1997, from Journal #32, Secret Change Agent.