Theatre: "The Box Show" (with a nod & wink to Samuel Becket)

A person starts surrounded by and covered with boxes of all sizes. These are boxes that must be unpacked for that person to be free.

The boxes contain limiting thoughts, assumptions, cultural restrictions, religious constraints, bigotry, fears - lots of fears, illness, affliction, authority, rules, regulations, anarchy, chaos, regional assumptions, ethnic blurring, ethnic purity, ethnic ethos, ethics, non-ethics, commandments, sermons, skewed exegesis, historical oppression, satire, sarcasm, judgment, broken relationships, damaged relationships, power, powerlessness, pain, lost love, stolen love, broken love, broken promises, broken dreams, forgotten dreams, forgotten lessons learned, forgotten family, estranged family, substance abuse, sugar stars and swings, animal distancing and objectivizing, sexism, racism, greed, slander, lust, deference, danger, risk, confusion, misunderstanding, brokenness, separation, turning away, turning against, ignorance, stagnation, sloth, sorrow, and maybe more.

What is the worst box? What should be done about each box?

Is there a single universal box cutter?

Should some boxes be sealed and forgotten: released? 

How does one release?

Can you make money releasing?

Music plays. Choose your music carefully because music changes everything. Or, don't.

And then, and then (another ACT) we find useful positive, powerful boxes: the love of others, the joy of a baby's smile, spring mornings, birds singing, learning to play the guitar, running, swimming, helping others, learning to get a sound out of a flute, learning to get an answer from a person, serving others, releasing, breathing, meditating, praying, redemption, salvation, sanctification, saving, preserving, remembering, faithfulness, dedication, creative flow, courage, compassion, clarity, centeredness, shelter, warmth, relief, rolling into change, a first kiss, a hundredth kiss, endless kissing, kindness, forgiveness, release.

Theatre of learning. Theatre of dreaming. You.

"I was trapped in a box. But, the box was inside another box. It reminded me of a bib that I wore as a toddler sitting in my primitive wooden high chair: it was a picture of a chef eating a massive plate of spaghetti. He was wearing a bib that had a picture of a chef eating a massive plate of spaghetti - and also wearing a bib of a chef eating a massive plate of spaghetti.

"Did this make me enjoy spaghetti more? Or did it distort my sense of time and space? Or did it more accurately describe time and space than anything after which is why I remember it so many years later? What do you think?

"Have you unpacked all of your boxes? Are you sure?"

-- doug smith

This is an open-source, public domain performance piece. You may perform it in any medium and alter it in any way. Please do acknowledge the use with attribution to the author, douglas brent smith. Thanks.

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